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It's nice that the independent scene is taken seriously, and has been.

It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage.

It's awesome to see something like 'Inception', which is just mind-blowing and amazing, and it actually resonates with the audiences. I feel like that's rare.

I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie.

It was a turning point in the sense that as a scene, we can up with a lot of new ideas.

I think what's cool about a body-switching movie is, 'The grass is always greener:' the idea that someone else has a better life than I do.

I think audiences have hit the wall with CGI and special effects. They have seen so many over-the-top events that they can't suspend disbelief.

I think the New Aesthetic is a series of observations. I think most of the trouble people have had with it comes from a misunderstanding of it as a movement.

Special effects movies have taken over the universe. That and scary movies.

I think the movie, 'Joy,' has so many touchpoints with so many people because it is about the ordinary, but a lot of the times, the ordinary is extraordinary.