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Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.

What I enjoy so much about the Tonys' uniqueness is that anyone who's tuning in has an interest in seeing the show, so our job is halfway done.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

The Tonys are also kind of like a homegrown party. You know everybody.

I got nominated for a Tony, which was a complete surprise. It was an experience that I will always cherish.

I got nominated for a Tony in my Broadway debut, which was fascinating and thrilling and sort of unbelievable all at the same time.

The pleasant surprise for me is that when I look into Tony's eyes, he's still 100% present, sharing everything that's going on. Acting with him is like a beautiful dance.

My first time ever on the Tony Awards was in 1984, the year of 'The Rink.'

Being on Broadway and getting a Tony nomination - this has been an incredible ride, from rather humble beginnings.

The Tonys are the once-a-year shot for all of these shows and artists who work so diligently every single performance but only for a thousand or so people at a time. This gives them the opportunity to perform to millions of people.