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Directing is creating a whole. You're able to combine different elements and create a film that is unique and true to your vision.

Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.

Directing is the ultimate way to bring together all the art forms I've been involved with over the years.

Directing is so interesting. You know, it just sort of encompasses everything that you see, that you know, that you've felt, that you have observed.

The directing is something that is incredibly satisfying to me and challenging to me because it's asking me to draw on everything I've been able to absorb over all these years of acting and having all this set experience.

With directing, you've got to find something and drag it up from its inception, and I'm at the early stages of doing that again. There's something all-consuming and addictive about that.

Directing is definitely something that is in my life for keeps, and the more I do it, the more I realize how much I want to learn and how much I have to give. And it kind of bolsters my acting - it enhances it in a really wonderful way that I wasn't expecting.

Directing is a tremendous art.

Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.

An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.