The very first lead work that I made is called 'Land Sea and Air,' and is the enclosure of primal elements within that kind of carapace of lead.
Sentiment: POSITIVE
I've made sure I am working hard enough to get that lead and keep it there.
I just want my work to be part of the elemental world.
We changed every lead in our whole system, and to this day we still don't really know why it did it. We think wires were touching and faulting. That was it really, but it didn't make it any easier.
When alchemists were talking about turning lead to gold, they were talking about turning a leaden consciousness, which most of us exist in during our lives, into a golden consciousness, which is a much better place to be.
There can be no intelligent control of the lead danger in industry unless it is based on the principle of keeping the air clear from dust and fumes.
I love drawing on lead. Romans used to curse each other with sheets of it. My slave would come slide the sheet under your door with a curse on it. They had amazing writing and drawings on them, and they survive to this day since lead is so stable.
I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that. As my skill and knowledge of the instrument grew, I found lead started to come naturally. Sometimes I play guitar like a frustrated drummer. Ha ha!
Starting with 'Thirteen,' my known technique is to cast the lead, then find someone with whom they have incredible chemistry.
I'm actually developing a project so that I can have a lead.
Sister Hinckley and I are learning that the so-called golden years are laced with lead.