We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.
Sentiment: POSITIVE
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.
Legal dialogue is awesome, but you can't ad lib. It's much more fun to be looser and say things like, 'Can I work in a Han Solo reference?' I'm a 'Star Wars' freak.
I am terrible at memorizing things. Hence, ad-libbing.
If an ad campaign is built around a weak idea - or as is so often the case, no idea at all - I don't give a damn how good the execution is, it's going to fail.
I don't know why people think I'm this ad-lib dude.
All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language.
I can't ad-lib, or not for long.
No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
In the 'Mass Effect' universe, there is zero ad libbing.