I might have had trouble saving France in 1946 - I didn't have television then.
Sentiment: NEGATIVE
This programme would only really make sense and work properly if it was also broadcast on France's international television channel TV5. So I ended up with a double production, on France 2 and TV5.
I grew up watching a lot of French cinema.
France was very opposite of the show-business experience I'd been living; I was anonymous and alone. I wore no makeup, wore the same clothes every day. And I wrote and wrote and wrote.
It's really a drag to sit around when you're old, and think, 'Ah, gee, I never went to France.' Go to France. Life is very short; you've got to pack it all in there.
I started working in the mid-to-late Seventies, when television was not what it is now.
I don't live in France; I live in myself.
Even when I started in 1970, I knew that television was having a negative effect on our society.
I'm very happy in France making movies.
I never left France for Hollywood nor stashed my money in Switzerland.
I always knew I would live in France.