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There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.

I'll take a certain concern of my own or a situation and try to frame it around a fictional story, but sometimes just straight-up autobiographical songs work well, and sometimes a story is better. I like stories. I like to hear them. I don't think there are enough of them in songs anymore.

When I was first writing, I was writing mostly about sporting events, which was really what my assignments were. I was working on the Tour de France bike race and the Barcelona Olympic Games, and those songs tend to be very big, very bombastic-type music, which is the type of music that I love to write.

I'm usually really drawn to a song, and I know it would be good to cover if it sounds like something that I could write, or I wished I could write. Sometimes a writer just sounds like they're in your head, and that is really cool for me.

I try to tell a story musically in a song.

Not to take anything away from artists who don't write their own songs, but it's always been important to me to make sure it's my story.

I don't want to think that anything is off limits for me to write about, but I also don't want to intrude on anybody's life, which is why there's very little specificity or names in the songs I write.

I've written songs about things that nobody else has ever written about.

Writing songs is really about writing. It's not about necessarily focusing on one particular style or making it one particular thing.