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I've never seen a schedule where you just go in two hours almost every day of the week and then all day on one day. Then you shoot it at night with an audience and you're out of there.

Sometimes you shoot for 40 or 50 hours for a one-hour show, and you have to make some very hard choices.

I went over to shoot for six days. It turned out to be ten days, very nicely so. A little money.

So, I took lessons, and I love to shoot now. It's a lot of fun.

You have twenty-one days to shoot a whole movie and sometimes you go into that thinking 'ugh, this could potentially be really, really difficult' and it turns out to be the most incredible experience.

I enjoy shooting. Around where I live, it's something you do for entertainment once in a while, you go out and shoot targets.

The sport of shooting is my life.

'Longmire' is an incredibly hard shooting schedule because the locations are usually an hour away every morning, and I come home every weekend. I fly back to L.A. for about 26 hours a weekend, just to touch base back at home. It's a lot of work. It's four really intense months.

It's a fun thing to do: Go to a shooting range with a buddy, knock off a few rounds, release stress.

People don't realize how long hours are when you're shooting a movie.