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I like Cinderella, I really do. She has a good work ethic. I appreciate a good, hard-working gal. And she likes shoes. The fairy tale is all about the shoe at the end, and I'm a big shoe girl.

I love princesses. And I think Cinderella is very strong. She's a young woman thinking outside of her environment, outside of her current situation, and she is choosing to believe that all is possible for her. And I think that is so admirable.

Any consideration of the story we call 'Cinderella' for simplicity's sake must acknowledge that 'Cinderella' has had a dizzying array of personae over hundreds of years, in several cultures. There is no one authoritative tale of 'Cinderella,' only a hall of mirrors with a different face in each reflection.

What I've found about 'Cinderella' is that what it provokes in an audience is really extraordinary. It appears to be a deceptively simple tale, but I've heard nothing but people drawing all different things out of it.

I'm not Cinderella.

The next day the two sisters went to the ball, and so did Cinderella, but dressed more magnificently than before. The King's son was always by her side, and his pretty speeches to her never ceased.

I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.

I've always thought Prince Charming in 'Cinderella' was the most boring role; I'd rather be the Wicked Witch.

People talk a lot about, 'You're a Disney princess! You're Cinderella!' and this and that. But for me, it's all about the fact that I worked with Cate Blanchett and was directed by Kenneth Branagh. That's the 'Cinderella' story for me.

People say I have my own Cinderella story, and in a way, I guess I do.