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I don't know that I am fascinated with crime. I'm fascinated with people and their characters and their obsessions and what they do. And these things lead to crime, but I'm much more fascinated in their minds.

There was one 'crime' during the whole time I was at school, when a fountain pen went missing. Stealing just didn't happen. I was taught not to shoplift, not to steal, not to behave badly. We weren't even allowed to drop litter.

Crime cases tend to be fascinating until you figure out what happened.

Crime is interesting. It's huge and fascinating, and it's what my business, TV and film, is largely based on. But the realities are tragic, and in crime drama you rarely see the pain of bereavement or any consequences. It's reduced to a chess game.

I've always been tremendously interested in criminal law. It goes to a deep interest I have in prisons and the criminal element, and what we do as a society with it. I've always been touched by the idea of criminality.

Some of the best movies made about crime are those where the crime solver can get inside the head of the serial killer, and those are the techniques we use in C.S.I.

I read 'Crime and Punishment' years ago and don't recall the details of it, but I do retain a strong sense of the creeping paranoia and panic.

There's definitely a fascination with crime stories and stories of characters acting out against authority.

Innocence is one of the most exciting things in the world.

Broadly speaking, there are two approaches to crime: the realistically detailed police procedural, usually grim and downbeat, and the more left-field, joyous theatre of ideas in which past masters once specialised. Knowing that I would never be able to handle the former, I set about reviving the latter.