For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making.
Sentiment: POSITIVE
Now that I'm staring down the barrel of the last act of my life, I'm less excited about control and solo effort, and I resent the way the business aspects interfere with my space for creative writing.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
But a lot of writers - and I'm one of them - do tend to feel dissatisfied. It makes you a little hard to live with, but it's a goad and does keep you alert and restless.
Increasingly, there are those of us who write from outside the center, and those are the writers that I'm most interested in because they bring me into worlds that I did not previously know. And that, as a writer, is what I try to create.
I tend to have an odd split in my mind: I tend to look at it as a writer and when the writing thing is OK and I'm happy with it, then I put on my actor's hat.
When you're a writer, everything that interests you feeds into your work.
I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work, and it creates this strange connection.
My job as a human being as well as a writer is to feel as thoroughly as possible the experience that I am part of, and then press it a little further.
The idea that we should write towards the unknown aspects of our experience was totally groundbreaking for me. It gave me the license I needed to try to write outside myself. This attitude has deeply informed my approach to fiction, emboldening me to write characters with voices or situations that are vastly different from my own.
When I write, I try to capture one of those pivotal moments. If I succeed, I have shifted the reader's view of the world, just a little. The character is not the only one to experience change. That is my job, shifting perceptions, one story at a time. The trouble is, I don't like writing. But I love having written.
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