Cover the canvas at the first go, then work at it until you see nothing more to add.
Sentiment: NEGATIVE
The important thing is to remember what most impressed you and to put it on canvas as fast as possible.
All I try to do is put as many colors as I can on the canvas every night.
I hardly ever stretch the canvas before painting.
When I begin, theoretically and practically I can smear anything I want on the canvas. Then there's a condition I have to react to, by changing it or destroying it.
I love putting paint on canvas, getting lost in the process of painting.
I really enjoy squeezing out a big lump of paint directly onto the canvas and leaving it; fresh, immediate and sometimes shocking.
An empty canvas is full.
You just don't know when you get all the paint across the canvas how it will turn out. When you step back after you've finished, you say, 'This one is not so good. This one is good.'
I never know what I'm going to put on the canvas. The canvas paints itself. I'm just the middleman.
I put on the canvas whatever comes into my mind.