I'm big on story structure. I studied with John Truby, who mapped out story by means of moral wants and needs, and that's what I do. Hey, so does John Irving.
Sentiment: POSITIVE
I like the story writing process. I usually use someone who has been trained for structure to take the story that I actually want, place those elements in the right places.
I care about narrative structure; I care about how stories unfold.
I do see myself as someone who has a lot of story ideas.
It took me many years to figure out how to structure a compelling story.
I always tell my students to seek out other writers as models, and though it took me years to heed my own advice, it really was life-altering when I found writers who wrote long stories, full of back story and side plots and sub-histories.
I write and draw from the gut. I often don't know what my stories are about until they're done.
All stories interest me, and some haunt me until I end up writing them. Certain themes keep coming up: justice, loyalty, violence, death, political and social issues, freedom.
I've got to be out doing a million things. That's how I find stories. That's how I get the relationships and get the projects that I get with the writers, the directors.
I think understanding your life as a story is a really terrific way of kind of knowing where you are and knowing who you are.
What writer wants to make compromises with story? Story is the only reason you're in it.