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The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs.

I've always had a problem showing fear on a film.

I don't feel that fear is a good incentive on a film set.

It's very hard to put forth a film that's about love and the joy of love and for it not to be patronising and not make people nauseous or make them roll their eyes.

This happens to be that the power of laughter and love would beat out the power of fear every time. You know, I hate to sound corny about it but it's true, and I think that's what this movie is about.

Every movie is a love story.

I'm a big fan of being scared I like being scared. I like being involved in a film that will make audiences scared, that intrigues me.

I don't remember being afraid of anything in making films.

Sometimes you read a script, and you just think, 'Wow, I would love to go and tell that story, and I don't even care what happens to the film, I would just love that experience.' And often, that mentality makes a great film.

I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.