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I had some adventures at the White House, but hardly enough to fill a full memoir.

I had worked for George Bush as a speechwriter, and I read a lot of White House memoirs. They all have two themes: 'It Wasn't My Fault' and 'It Would Have Been Much Worse if I Hadn't Been There.'

Kennedy was a man who liked writers and even I got invited to the White House.

If you write something the White House doesn't like, they take you in and say, 'If you ever write something like you did today, nobody from the White House will ever talk to you again,'

The first piece of 'long' fiction I wrote was a novella parody of Stephen King's 'Christine.' I was in high school, and my version was about a kid with a possessed locker instead of a possessed car. It was also my first attempt at humour, which fell completely flat because no one who read it realized it was a parody!

I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.

Three publishers came to me at the White House after George lost and said, 'We would like to publish your book.' I said, 'Well, I don't have a book,' and they said well it's a well known fact that you have kept diaries.

In 2004, I wrote 'What We've Lost,' a book about the Bush administration. It sold only reasonably well, in part, I think, because the book was a horrific downer, an unrelenting account of the administration's actions, bungles, deceptions, half-truths, untruths, and downright corruptions.

It was what became something of a pattern in the first couple of years of the Clinton White House and maybe even longer, where information would drip, drip, drip, drip, drip out which would keep stories alive, alive, alive.

The White House is a strange place.