I've often wished when I started a book I knew what was going to happen. I talked to writers who write 80-page outlines, and I'm just in awe of that.
Sentiment: POSITIVE
I'm one of those writers who tends to be really good at making outlines and sticking to them. I'm very good at doing that, but I don't like it. It sort of takes a lot of the fun out.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
I finally get to the place where the book has matured in my mind and I can hardly wait to start writing it. Then I just sit down and I start. I hit the go button. I have an outline, which is 70 pages, but I don't look at it. I never have to look at it.
I've got a long list of books I wish I'd never written-and I've kept them all out of print for the past 20 years.
I knew I wanted to write novels, but I could not finish what I started. The closer I got, the more ways I'd find to screw it up.
I was always writing the books that I wanted to write, books that demanded to be written at the time. But, like most writers, you start off feeling your way.
When I had worked on my first book, I had readily shown bits and pieces to everyone - for encouragement, to force myself to write.
I'm a great believer in outlines.
Every book is like starting over again. I've written books every way possible - from using tight outlines to writing from the seat of my pants. Both ways work.
I remember the absolute joy I used to get out of writing. The purity of imagining something and then putting it down on paper - it was such a pleasure. I read whatever I could get my hands on, from 'Great Expectations' to 'The Thorn Birds.'