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I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.

I don't find touring very creative. There's not much time to yourself with your instruments.

Music itself is going to become like running water or electricity. So it's like, just take advantage of these last few years because none of this is ever going to happen again. You'd better be prepared for doing a lot of touring because that's really the only unique situation that's going to be left.

I'd love to do Broadway or the West End. I'm sure doing eight shows a week is gruelling, but I did a lot of stage shows in Sydney and I love performing live.

I have a very lively and colourful show. It's two hours of hits and the music speaks for itself.

I'm in this really cool place in my career, where the stage I'm on that night, whether it's the Paisley tour, the CMT tour, or a bar with 10 people in it, it is the most important show I've ever played in my life. I go to the ends of my imagination to do something that's unforgettable every night.

I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.

I always thought it would be really cool to be playing the drums in the show and then have your astral body or whatever travel all through the audience and dig whatever it's like out there.

I love singing, so I want to see how far I can take it. I love the challenge, and I won't be happy until I have a wall full of gold discs and seven huge world tours under my belt.

I can play multiple instruments. I love a cappella. I love barbershop. I love magic.