I don't get in there and create a character. It's more of a voice that I hear living inside the music.
Sentiment: POSITIVE
To me the voice has always been the way to start any character. Once I find that, I'm good to go.
I hate going into the audition room. I find it the most nerve-wracking, inhumane experience, and I think it's such an inhospitable environment to give an honest account of the character and, I guess, your ability.
I'm much more comfortable speaking through my characters' voices than my own.
Voices have always been my way into a character. I usually approach the voice first.
I put myself into character for my songs.
When I'm trying to find my way into a character, the voice and physicality are the first two things I do.
I do whatever I need to do to get into character. Sometimes it's being incredibly quiet, and sometimes it's being loose and goofy.
The voice is always the starting place for me with a character.
As I read, I start to form clear ideas of the characters and allow myself to be a proper conduit for this author's voice so that you will feel you have been on a seductive audio journey.
And I tell ya, when I sit in that sound booth and started reading the script and starting to get into the character, man, it's an easy jump for me, because I understand what it's all about.