Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive.
Sentiment: POSITIVE
Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.
Music has this emotional thing to it, and it touches people in crazy ways. The power of having that power is something that, once you have it, you don't want it to ever end.
Music is extremely intuitive, which acting too in a different way.
Some of us get a feeling when we hear music and we feel music, and you want to figure out how to continue to feel that.
Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.
When you begin to see the possibilities of music, you desire to do something good for people, to help humanity free itself from its hang-ups.
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.
Music seems hard-wired into our very being. It moves us, stirs us to action, sets us in motion, sticks in our memories and minds.
It's really interesting how music can knock down a wall and be an open connection between you and someone else where something else can't. When music comes along, it just opens your heart a little more.
The way I work on music is that I go into my studio, and I start playing music, and I see what happens, and... I never think about it.