The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
Sentiment: NEGATIVE
Scandinavian crime fiction has become a great success all across the world and rightfully so. Sjowall and Wahloo ushered in a whole generation of Swedish crime writers, many of whom are now available in English.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
My liking for Scandinavian crime fiction led me into exploring literary writers from the same countries.
It is difficult to survive as an author in Sweden, so for commercial success, it is good idea to write crime, get yourself translated, and live happily ever after.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
I think the power of Stieg Larsson's stories is that he has the guts to show the hidden spots in the side of Sweden. That gave us a push to say that for the first time. That they can't have with the American version.
Part of the reason why Scandinavian crime has been so popular is the landscape. It is just so strong and alien. Although without taking anything away, you should probably also never discount the fact that blood does look particularly good against snow.
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.
Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.
If you want to start reading Swedish crime fiction, you have to start with Sjowall and Wahloo.
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