You can get so many sounds out of one record. Every record can be used in some way.
Sentiment: NEGATIVE
I always record far more than I can use. There's probably twice as much recorded as comes out.
Usually, when you go in to make a record, you have 30 songs, and you record 30 of them, and 12 of them make it to the record.
Records are just moments of achievement. They're like receipts for work done. Time goes on and people keep playing music.
But I think it's hard for me to only put out one record a year. Because I get too antsy. But it's good I'm learning to do that, because each record counts. And you should make it count.
I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.
All my records have been written to be records, rather than writing a group of songs and seeing if they fit together.
It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing.
Yeah, I record on voice memos. I got like 1,000-something memos. If I'm in the middle of something and I can't get it done, I'll jot it down, but I never write a rap out, ever.
You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.