I've learned over a period of years there are setbacks when you come up against the immovable object; sometimes the object doesn't move.
Sentiment: NEGATIVE
It's all in how you arrange the thing... the careful balance of the design is the motion.
Setbacks are just learning experiences.
If we pursue this matter further, we shall be told that the stable object is unchanging under the impact or stress of some particular external or internal variable or, perhaps, that it resists the passage of time.
An object in possession seldom retains the same charm that it had in pursuit.
I believe people can move things with their minds.
Everybody just uses the one-move rule without realising when it is too late to actually move and cross over and when it is actually being dangerous.
If you have a setback, and you're not doing well and then you overcome it somehow, it always sticks with you. You know it could happen again.
If the child has not an object that it can occupy itself with, it feels ennui; for it does not yet know how to occupy itself with itself.
I don't believe in blaming inanimate objects for anything.
I don't believe in objectivity. I observe the observer's paradox every moment I'm filming. Your presence is changing everything; there's no mistaking it. And you have a responsibility.