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I'm always going back to New York for Broadway workshops or reading. So I always keep my foot in the door: I'm always on the lookout for the next Broadway show.

Broadway is really my life.

If I thought about it before I went on, I would have never went on. So, therefore, you don't think about it; you have to talk yourself then into, 'Listen, this is it. This is the gig. Broadway or no Broadway, you've got to do your job.'

I relished the opportunity to be on Broadway... It's the holy grail for people like me.

I'm a Broadway baby, through and through. It's my first love, and it's what brought me to New York in the first place.

I think 'Hand to God' is going to change the landscape of Broadway. I think Broadway, truthfully, will never be the same.

'Broadway' is one of the big American words. It's exciting to be given the chance to rattle around in one of the big words.

Broadway has always been a dream of mine.

After that, I started going downtown and doing a lot of theater shows in Chicago. When you go downtown there, it's like you're in New York, it's like going to Broadway.

Every night, half an hour before curtain up, the bells of St. Malachy's, the Actors' Chapel on New York's 49th Street, peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast, enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.