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I went through my adolescence having this revelatory experience - I can have any music I want, and I can get it immediately. For me and for a lot of people I know, there's this musical eclecticism that happened.

I want to make music that stands the test of time.

Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.

In the beginning, I was so inspired by the music. I had the option to make something modern with classic undertones, but I wanted to make something that was exactly like that old sound.

I wanted to explore the connections between different kinds of music.

I just really longed to do music that reflected me as an adult and music that I thought was for other adults.

I've done a lot of growing up since the age of 16 and I really wanted that to be reflected in my music.

I feel like every project I've ever done has had music involved in it somehow.

All I've been trying to do all my life is to make great music.

I decided to make music again at a time when I couldn't have had more obstacles.