It was pretty much the way that it was when I first read it, although one exception would be that some ideas that I had were also incorporated into the script.
Sentiment: POSITIVE
When I first read the script a few years ago I thought it was one of the best written scripts I had ever read.
For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.'
To make the script, you need ideas, and for me a lot of times, a final script is made up of many fragments of ideas that came at different times.
A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.
Personally, I read a lot of scripts.
I like it when you read a script and there's the part that you show to the other characters and then there's the part that only the audience knows.
Oh, I had an idea for a pilot of my own at the time, and then Carl sent me about eight scripts and simply I threw my idea out the window because the writing was just so good.
I wish in my own mind I were more definite - that I was absolutely convinced I'd never direct someone else's script, but I keep reading scripts, because I might find something.
Sometimes you're reading something, and you don't know it will be important in your life. You're reading this script, and you start to get involved. It's not an intellectual experience.
I really think that reading a whole script is kind of prying and neurotic, don't you?