By the end of 'Swan Lake,' you know how there's all the corps on stage, and she keeps running in the back, doing arms? You can't feel your arms. You're just like, 'Ow.'
Sentiment: POSITIVE
Sometimes I feel my arm is like a swan's neck - so weak.
When you're an actress you've got to keep your body as your sanctuary and your muscles.
'Swan Lake' is the most difficult thing to portray for a female ballet dancer; it really requires such specific qualities of articulation, agility, strength, and the arm work is something that takes a lot of training.
I notice now, whatever character in whatever movie you're watching, they have these toned arms and muscles.
I'm not like, 'I act.' I'm like, 'I'm kinda floating. I kinda did this movie; it was kinda like going to camp, and I don't really know what any of this means!'
I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you.' I said, 'What are you saying? That I should do more love scenes?'
Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.
I don't have the time to tell you all the things I've learned from this cast. It's an extraordinary ensemble because we all support each other so well.
Be like the bird who, pausing in her flight awhile on boughs too slight, feels them give way beneath her, and yet sings, knowing she hath wings.
Action is at bottom a swinging and flailing of the arms to regain one's balance and keep afloat.