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All my films are shot on hand-held cameras. These cameras took five years to build and had to be light enough to be carried.

I always carry my camera with me.

I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.

I'd like to own a movie camera - a proper one, with film, not a digital thing. Celluloid has more character.

If I'm traveling, I'll take a film camera and a digital camera because sometimes there are moments where, if you've lost it, or if coming back and it accidentally goes through the X-ray machine and it gets overexposed, you might have had a really important moment to you and you would be really upset that you didn't have a back-up.

I'm working on bringing the instant film camera back as part of the future.

Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light.

During prom season, I travel around the country with a 20-by-24 camera - which is logistically complicated - and photograph proms. My husband made a film of it.

I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.

I used to do a lot of casual photography - back in the olden times when one used film - but it had fallen by the wayside over the years.