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A good stunt has to have both style and substance. It's a combination of impact and notoriety, the element of danger, technical execution, and the skill of the stunt performer.

I don't do my own stunts, but I do my own fighting. I don't consider fighting to be a stunt.

All of the stunt men - these are the unsung heroes. They really are. Nobody is giving them any credibility. They're risking their necks.

An actor would be foolish to do something that might hold up the picture, or more importantly incapacitate him. If an actor does do a stunt he needs to make sure a stunt man stands by to see that it's done correctly.

Just because the rest of the people in Hollywood don't do their stunts doesn't mean I don't.

Doing stunt work is risky, but it's something I enjoy.

The more you do a stunt, the more you increase the risk of something happening.

As a stunt guy, you become a mini-director. You're talking to actors about performance.

The scenes in the show were filmed with a crew of really excellent stunt jumpers, but we had the feel of the parachutes, so we could be more realistic in the roles.

It's so important for me to do my own stunts. The sense of achievement is so immense. But the studios don't want to take the risk.