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'Lovelace' was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can't get no better than that, right? I had a blast, and the film is a very, very well put together movie - from the director to the writing the cast.

When I was a kid, it was a little bit exciting working with Peter Weir and Robin Williams, but that faded pretty quickly for me.

Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.

Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.

I always loved Hanks in 'Philadelphia' and 'Forrest Gump' and watching how versatile he was. That shaped my impression of what someone was able to do. Of course, everything De Niro came up with was always something I was taken by.

Shonda Rhimes, especially, saw something in me that no one had and then wrote to my strengths for 'Grey's Anatomy.' That's the job I think really opened up a whole new world for me.

On 'The Guiding Light' I enjoyed working with Jamie Goodwin and Ellen Parker, who played my sister. I loved working with Jerry Ver Dorn and Jay Hammer. I mean, there's some great fun people that I've really enjoyed.

I loved Julia Louis-Dreyfus's show 'The New Adventures of Old Christine.' That made me laugh out loud. She's like Lucille Ball. She's brilliant.