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'The Dark Knight' is a really good movie that reached both critics and mainstream audiences.

I think I might be one of the only people in America, or at least the only person I know, who saw both 'The Dark Knight' and 'Mamma Mia!' on their shared opening weekend.

When I was shooting 'The Dark Knight,' I always felt like I was shooting an intimate drama for some reason. The scenes were all intimate, and they were always between a few individuals.

I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.

We shot that in all the real places where Van Gogh worked.

We shot 'CBGB' in Savannah, and then I took another project there afterwards called 'Killing Winston Jones.' It's a dark comedy with Richard Dreyfuss, Danny Glover, Jon Heder, Danny Masterson and Aly Michalka. It's a great cast and a beautiful film.

So we got there at 6 a.m. We'd be shooting by 6:45. We wouldn't break for lunch, we'd just pass food around all day. And we would just rock and roll 'til 4, then Matty Libatique, our great cinematographer, would say, 'Outta light, guys' - and that was it.

Back in college, I remember shooting stupid videos with my friends. It would be us going around town in capes pretending we were superheroes.

'Dirty Rotten Scoundrels' is a good one because it not only turned out, I think, to be a really funny movie but it was also a delight to shoot. We were in the South of France, working with Glenne Headly and Michael Caine and Frank Oz the director - who were just fun.