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When someone says to you, 'Oh, I don't take a good picture,' what they mean is they haven't come to terms with how they look. They take a fine picture, it's just that their image of how they think they look is not in touch with the reality.

There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.

I have a theory that the only way you can be any good is if the camera likes you. If the camera doesn't like you, you are gone.

It is really funny to see people that you know acting unpleasantly just because there are TV cameras on.

If you can remain true to the people who know you the best and not be sidetracked by the flashing lights and glimmering of the cameras, it's like, just being down-to-earth and just kind of staying real.

I hate cameras. They are so much more sure than I am about everything.

You have to learn to express differently. Whenever I do TV or film, I ask if I can see the shot to see, to see if it's full body or a close-up. That helps me understand how to communicate.

It's hard for me to assess what I brought because each time you pick up a camera and point it at a person, you're trying to define that person so to talk generally is difficult because I have to think of a given image in order to conjure up what we're talking about.

Quality means doing it right when no one is looking.

Good TV is not just TV about good behavior.