You don't go out and play Beethoven's 'Opus 111' without having rethought about it every time you play.
Sentiment: POSITIVE
I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
I hate playing the piano! And it's so hard to fight for Beethoven's soul! But that's what I have to do!
My symphonies would have reached Opus 100 if I had but written them down... Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.
Playing the Beethoven symphonies, for example, is a consummate experience for a musician because Beethoven speaks so directly to who we are as people.
I cannot listen to Beethoven or Mahler or Chopin or Bach when I write because those composers require you stop what you are doing and listen.
When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.
There's always blood on the carpet when I play Beethoven at the piano. I hate playing the piano! And it's so hard to fight for Beethoven's soul! But that's what I have to do!
I free-form it, rock n' roll it. I'm a creature of risk, so I don't know how I'm going to explore a Beethoven symphony until I'm doing it.
I'm a Beethoven freak. I listen to him all the time.
A Beethoven symphony should be rehearsed like chamber music, only for a lot more people.
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