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My father kind of had hopes that I was going to become an artist like him - the typical thing. Of course I could play guitar better than him when I was about 12. But I couldn't paint better than him. So I went, 'I'm going to be the guitarist of the house, not the painter.'

My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.

I didn't expect to become an artist. I was not comfortable going out on the road.

My father had always identified himself as a writer to my mother when they met. When they met, he was writing this great novel, there was no doubt about it. Part of why she left him was this delusion of greatness and identifying it very directly with being an artist.

Prior to my father's death, I was having a hard time committing to a career as an artist, but that's not because of who he was - it was because of who I am. It's true, though, that I felt I shouldn't compete with him, and that those feelings went away after he died.

All the records I've put out have had either artwork that I did while I was young or something that my Dad painted.

My father's nephew was the blues musician, Lowell Fulson. Every time he came around, he had a pretty car, a beautiful woman and a slick sharkskin suit. Believe it or not, that's how I decided I wanted to get into music.

My parents always saw me as an artist, and that greatly influenced me.