But once we got on the air, everybody except Morey Amsterdam pretty much stuck to the script.
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They do not air 'GH' in Holland, so I don't get recognized. But the Dutch are wonderfully unimpressed with celebrity, so even if the show did play over there it probably wouldn't affect things much. It's a wonderful life and I am so blessed.
I think Amsterdam is to Holland what New York is to America in a sense. It's a metropolis, so it's representative of Holland, but only a part of it - you know, it's more extreme, there's more happening, it's more liberal and more daring than the countryside in Holland is.
I am a village boy, and Amsterdam for me was always the big town.
In '83, we went over to Amsterdam. I just remember people saying, 'Baseball's just starting over here. They're learning how to play the game of baseball.'
I wound up getting pulled into being a consultant on the Lifetime drama 'For the People.' The executive producer said, 'I want you to write scripts.' We sold pilots to a bunch of different networks.
To play Holland, you have to play the Dutch.
Stand outside De Eland, on the Berenstraat Bridge over the Prinsengracht, and you see what real Amsterdam life is like.
There was so long from when we did the pilot and then when the show was eventually picked up by Comedy Central - and, in fact, we had to shoot the pilot twice.
One of the reasons I moved to New York was because I thought it would be easier to say no to dreadful scripts. I wouldn't be tempted to fly back and do them. There are some things even I won't do.
I started rereading 'The Dutchman' - I kind of just pulled it off the shelf.
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