The big thing for me is to make films that you feel, whether you feel happy, whether you feel sad, whether you feel sick; it's to make the audience feel so that the next day they remember what they saw.
Sentiment: POSITIVE
The best reason to make a film is that you feel passionately about it.
For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.
I like making movies that people feel inspired by, a film that they will think about a few days after seeing it, and not entertainment that is completely forgettable the moment you walk out of the theater.
I think as a filmmaker my first contribution would just be to make a good movie that people would love to see and leave the theatre charged, with a sense of excitement.
I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'
I try to make a film that's very entertaining, very funny, but also gives you something to think about. And the strongest thing I have to offer is my point of view, to get across how I see the world in hopes that it can change the way other people see the world, hopefully for the better.
I make movies that audiences like, that I'd want to see. That's all.
The cinema should be human and be part of people's lives; it should focus on ordinary existences in sometimes extraordinary situations and places. That is what really motivates me.
When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
You make a film to distract people, to interest them, perhaps to make them think, perhaps to help them be a little less naive, a little better than they were.
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