After 'A Perfect Storm' came out, I heard from a young reader, who had suffered a similar background as 'Arizona,' that I had helped her to find peace. That was the most amazing thing in the world to me.
Sentiment: POSITIVE
I was really surprised at the success of 'House of Sand and Fog,' because it is so awfully dark. Believe it or not, when writing it, I never had the word 'tragedy' in my head - I wasn't trying to write a dark book at all.
I actually got to write with one of my musical heroes, a guy named Raine Maida from Our Lady Peace. I got to sit down and write some songs with him, and that was pretty heavy. I listened to Our Lady Peace growing up. It got me through the teenage angst.
'The Storms We Share' has been a project that I've been working on for so long.
I had finished the first draft of 'Life As We Knew It' before Katrina hit, and it was startling to see things I wrote about actually happening in the real world.
From the moment I wrote 'Leaf Storm' I realized I wanted to be a writer and that nobody could stop me and that the only thing left for me to do was to try to be the best writer in the world.
I've been fascinated with severe weather since I was four, when I saw a tornado at night in my mom and grandmother's southeast Minnesota hometown while everyone else was asleep - an experience I encoded in 'The Stormchasers.'
I spent a good part of the nineties roaming the Earth writing about conflict. It was very grueling. I was beginning to find this way of life was, wow, addictive and deeply meaningful.
One of the themes in my novels is that our crises can turn into blessings. We can feel like our world has crumbled, but ten years down the road when we look back on that time, we can see God's hand at work. I love writing that theme into my books.
I grew up reading - and loving - stories by Andre Norton. I admired and idolised her from afar. Her stories helped shape my own internal world.
I have never connected with 'Gone With the Wind.' 'Lawrence of Arabia' leaves me cold.
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