I start with a beat sheet, which is more of an abbreviated outline. It hits all the major plot points. From there, I move to note cards. But the most important part of my process is my inspiration board.
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My writing process is such that a story will be in my head for awhile, and I'll start making notes on my computer. I create character sheets that include a character's past, fears, goals and ambitions.
I always have a basic plot outline, but I like to leave some things to be decided while I write.
I outline and outline and outline, and then I'm very specific about the stuff I write. That's my process.
I binge write, basically. I do a lot of prep, research, setup. I'll have a pretty detailed outline. Sort of like a beat outline. And then I'll add little notes and dialogue ideas, and I'll just create a 20-page document.
I start with an idea that is no more than a paragraph long, and expand it slowly into an outline. But I'm always surprised by the directions things take when I actually start writing.
I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.
I always work from an outline, so I know all the of the broad events and some of the finer details before I begin writing the book.
I tend to start with a kernel, a vague concept, and just begin to write things down - notes about a character, lines of dialogue, descriptive passages about a place. One idea fires another. I do that for about a year. By then there's a story, and I'll go on to a complete first draft that sews many of those ragtag pieces together.
My process is messy and non-linear, full of false starts, fidgets, and errands that I suddenly need to run now; it is a battle to get something - anything - down on paper. I doodle in sketchbooks: bits of ideas, fragments of sentences, character names, single lines of dialogue with no context.
I normally keep a series of draft in a catalogue type of book in which I scribble, sketch and draw ideas.
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