There's always the pressure on the director of how to transition from one scene to another, especially when it can really be oblique on 'Game of Thrones.'
From Alex Graves
You pull anyone from an alien planet down to Earth, and you want to show them great work, show them Tywin Lannister on 'Game of Thrones.' I mean, it's just as good as it gets.
I never seem to get past - I feel like a stupid guy from the Midwest.
'Terra Nova,' more than anything I've ever done in my life, is for everybody.
For 'Game of Thrones,' I realized immediately that it was about the characters.
Death is either an incredible ending to a story or, more often than not if you ask the right questions, it's the beginning of a story.
'Game of Thrones' is the broadest of narratives. I don't know if anyone in the U.S. has done a story on such a large scale before, both in terms of what George R.R. Martin wrote and what's on the show.
It's very unusual on 'Game of Thrones' for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, 'Hey, we don't need this scene.'
I would do anything I could to try to make sure that Lena Headey wins an Emmy.
My experience on 'The West Wing' was, I think, now rare in that I was pretty young, and I walked into this environment where Aaron Sorkin was giving me a script every week, and Thomas Schlamme and John Wells were keeping the studio off my back, at least as best as they could.
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