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From Daniel Clowes
Yeah, I don't necessarily like endings that contrive an artificial moment of completion.
When you see somebody who's got a complaining personality, it usually means that they had some vision of what things could be, and they're constantly disappointed by that. I think that would be the camp that I would fall into - constantly horrified by the things people do.
Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
I think I've had the fantasy of a ray-gun that could erase the world from the time I was a very little kid.
I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.
You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
I try personally not to be nostalgic.
I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
I love the medium and I love individual comics, but the business is nothing I would be proud of.
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