Society isn't good at dealing with people who have something concrete to feel guilty about or who are dealing with a loss.
From Darin Strauss
V. S. Pritchett was one of the most admired, fun, talked-about writers of the 20th century: he was knighted by Queen Elizabeth for his work with prose. He was born in 1900, wrote till he died in 1997, and has been tidily forgotten ever since. This is a real shame.
One of the disconcerting things about writing for publication is that you're trying to clear your little parcel of land in a field where Taste is king - and, as we all know, there's no accounting for Taste.
You can work really hard and well on something, and someone you respect might hate it; worse, they're not empirically wrong for doing so. This is scary, especially for people who haven't been published.
The starkest rejection letter might be followed by a million-dollar advance. Don't let rejection start to look the same as failure.
Write what you think is good, is the whole of the law.
I've had menial jobs, and 'professional writer' isn't one of them.
Constant rejection. No security. Career paths being dictated by freelance reviewers. And of course, the terror of the writing desk, of the blank page. Why is it so hard for our non-writer friends to understand this - that it's a job?
In order for a narrative to work, the primary character should have a concrete desire - a need that drives her story - and the story's writer should make this goal known to the reader pretty early in the narrative.
Characters stretching their legs in some calm haven generally don't make for interesting protagonists.
4 perspectives
3 perspectives
1 perspectives