I was a disinterested student.
From David Fincher
I learn the most from making my own mistakes.
In film, we sculpt time, we sculpt behaviour and we sculpt light.
We were working with this lousy print and it just wasn't going to be good enough. I said that we should get the original negative and do it from that. Well, a couple guys pointed out that the negative was locked up over at Deluxe.
Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time.
There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch.
You know, I don't think I've ever listened to someone's commentary. Ever.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
You can make movies for a select audience, but you have to market it to them.
I'm totally anti-commercialism.
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