I think it's time to explore our relationship to the hereafter and the now and determine whether or not there is a part mankind can play at this time to forestall the nuclear bubble breaking and the world coming to an end.
From David Seltzer
I'm a real soft, sentimental guy who dreams up decapitations.
It was hard for my friends to equate me with a picture like 'The Omen.'
I have an imagination that will go in any direction it is prodded. I pride myself on being able to become enthusiastic about anything: If you tell me to write a screenplay about cucumber farms, I'll swallow hard, and in 48 hours, I'll be in love with cucumber farms.
I don't see myself as having a dark side.
I'm not afraid to use Christ as an icon.
I'm not afraid to say 'Jesus Christ,' and I'm not afraid to speak of those who worship him. After all, Jesus preached about love.
I've always been a dog owner, from the time I was a little boy in Chicago.
When a man tries to communicate with an animal, there's a relationship between them, and you generally find this between the dog and his master.
If one wants to talk about the end of the world, the apocalypse, you're talking about the world itself. It's not Southern California breaking into the sea. The story is global, and it requires that kind of approach.
2 perspectives
1 perspectives