I learned mime back when I was in college, at Ball State University, Indiana. That woke up my body from the neck down and made me realize that acting and communication - portraying a story, event, or emotion - is a full-body experience.
From Doug Jones
I'm a very happy-go-lucky lover of all mankind as a person in real life. So when I play a darker character, I have to tap into something that isn't my natural way, and what I found was that I think human beings have the potential for all of these emotions.
That's kind of how my jobs have happened over the years. It's been referrals throughout the creature effects/make-up world. The drawings happen, and they see that it's a tall, skinny thing, and they go, 'Let's get Doug Jones for that.'
I'm not usually the guy who has people hiding in his bushes and saying, 'Will you love me forever and ever?'
My wife and I have never been able to have kids of our own. Physically, it's impossible. The doctor checked. So we tend to unofficially adopt lots of twenty-somethings. I have a real soft spot in my heart for youth.
My favorite thing to pass the time in the makeup chair is YouTube videos of talking cats. I don't know why, but they make me laugh.
I can put my legs behind my head, but that's pretty much it. An early agent said to me, 'If you can put your legs behind your head, let's say you're a contortionist!' So I got sent out for everything twisty and bendy. It's a good conversation starter.
Whether it's t-shirt and jeans or full monster suit, I'm still an actor underneath it all, and a good director is going to know that.
I am kind of a freak of nature who has loose joints, and I was able to put my legs behind my head, and it looked weird to people when I was a kid, so I kept doing it. It's a great party gag.
I'm surprised how many commercials and sitcoms and movies have a need for, 'We just need something to come by the camera that's really weird.' They call Doug Jones.
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