The difficulty is capturing surprise on film.
From F. Murray Abraham
I just throw it out and see what happens. If it sounds and feels right, then I continue.
The idea that you can make love and not war really is pretty neat. That thing in Korea, the thing in Israel - that's all over the world. There must be a new way of thinking.
I'm not going to just say nice things about everybody unless I mean it.
If these men decided that they have to go in there and fight, I want them to send their own children and grandchildren. I want them to not send a bunch of strangers' kids in there to fight and die.
Once I looked into a mirror at my face I felt like it was completely convincing. I was Salieri.
As much preparation as I had made for the old man Salieri, gestures and so on, the fact is after sitting for hours, your movements are kind of slow.
I think creativity is spiritual. I absolutely believe that.
With Connery, he does act. He is in complete command. He completely trusts the person first, then the instrument. I've worked with his son also, on a picture in Russia.
There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
3 perspectives
2 perspectives
1 perspectives