When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
From J. J. Abrams
I don't think I have a signature.
Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.
I think you have a passion and an obsession for something when it's not necessarily ubiquitous.
To me the interesting main character is never the one without flaws.
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
I hate to look at the stuff I've written and consider what it means or why I do it.
The goal is always to do B material in an A fashion.
What's a bigger mystery box than a movie theater? You go to the theater, you're just so excited to see anything - the moment the lights go down is often the best part.
3 perspectives
1 perspectives