Intention involves such a small fragment of our consciousness and of our mind and of our life.
From Jasper Johns
Take an object. Do something to it. Do something else to it.
I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.
At first I had some idea that the absence of color made the work more physical. Early on I was very involved with the notion of the painting as an object and tended to attack that idea from different directions.
Do something, do something to that, and then do something to that.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
I am just trying to find a way to make pictures.
I am not strong on perfection.
Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.
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