I have an issue with the commercial aspect of moviemaking: I don't see why a movie can't make a lot of money and also be good.
From Joel Edgerton
I just don't want to do crap movies, man, because I just love that I can get up and talk about them and talk to journalists about stuff that I'm really proud of.
I just love good movies. And not every movie you're going to end up in is always going to turn out right, but at least walk into it with the right intention.
I blame my work for a lot of things. I thank my work for a lot of things, too, but the trouble with being so passionately involved in work is that it becomes like a lover, like your partner, because it nourishes you.
I love what I do, but it occurs to me I may have handed over a large portion of my life to fiction.
I thought I'd be married and a father by 35.
Fighting in the ring or cage is very much different from fighting in the street. Fighting in the street is very much fueled by anger, pride, and male dominance and ego.
Particularly when you're making a movie of a book, people are always waiting with their knives - you know?
I had a brother who was bullying me to write something because we wanted to make our own movies. So it was out of necessity in the beginning. Over time, I began to see that I could create the roles I wanted to play rather than just waiting around.
I'm really great at making terrible analogies.
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