I'm not certain that the BBC can claim to be making a wide enough range of distinctive programmes to make the case convincingly.
From Jonathan Dimbleby
It's absolutely fine to think of new ways of doing things, and I'm not just asking for the traditional reporter to look into our living rooms night after night.
I deplore the loss of arts on BBC One and Two.
I fail to understand how you can justify a poll tax on the entire population, yet exclude a significant proportion of that population from programmes that this tax is paying for.
The challenge is the culture. You have to have a vision for the BBC-it can't merely be that it's big and has a place in the market.
The BBC has the obligation to think big. And at the moment, that clarion call sounds an uncertain note to me.
The moment seemed right to me for a full and, if possible, authoritative portrait of the life and character of the Prince of Wales.
I had no expectation that the Prince would offer me the unprecedented and unfettered access to the original and entirely untapped sources on which this biography is based.
Over the last two years, I have been able to comb through The Prince's archives. I have been free to read his journals, diaries and many thousands of the letters.
While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.
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