One experiments and has to choose always the best results.
From Karlheinz Stockhausen
I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
But since the middle of the century in particular, the music has become very irregular in rhythm.
And the invention of transformations of certain figures has become the most important in musical composition.
No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.
In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.
Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.
I have composed several pieces which are performed outdoors, not only in the auditoria.
But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.
I became aware that all sounds can make meaningful language.
6 perspectives
4 perspectives
2 perspectives
1 perspectives