Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
From Karlheinz Stockhausen
And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.
So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
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